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As Constant As The Northern Car​—​10th Anniversary Edition.

by Patrick Keenan

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    Hey folks! For this 10th anniversary release I am offering 6 bonus tracks, original poster art, and more to people who buy the full album. Also included is the hard to hear secret track which I had placed before track one. This turned out to be a bad idea, as most people couldn't access it. The idea was that you would press play on the cd and if your player allowed it, you could hear the secret track by rewinding behind track one to the minus numbers (i.e. -4:20) I learned of this fun little gimmick from Blind Melon's "Soup" album, as well as the X-files soundtrack called "Songs in the Key of X." For the first time ever, it is available online. I hope you enjoy it.
    Purchasable with gift card

      $2 CAD  or more

     

1.
2.
Almost reaching the starting line I can't deny the trip hasn't been that serious There've been moments when delirious Where I thought I was back home. But luckily the sun is coated, There's a relative chill to the air And as long as we can make it there, I can maintain this calm composure. Chorus: Don't stop to think what could possibly happen If the wheels touched the shoulder and if someone was passing And they came around the corner and you couldn't find the brake Don't think fatalistic, baby, it's a mistake You better bring along your Trusty little Cracker Jack decoder ring. You're obviously not used to this way of thinking And you can't understand English in another land that speaks it Your starting line was back a bit (back a bit!) And mine's several hours away from here It's relative I suppose I chose not to have it near The one you chose. Don't worry, though! Because all finish lines tend to be mutual. (chorus) And it's a mistake that I seem to love to keep making....
3.
Baby, there's a rose on your cheek, Baby go ahead and speak If you were the building I look at now You would not so much obscure the clouds As make them less important, Make them less important, And if I could tell fortunes: I would lie and say that your future lies with me I would lie and say that I could make you happy I would say this and take you by the hand, Lead you out of this university We'd take off our shoes and socks And walk upon the melting snow With our bare feet. Baby you've a sea in each eye Baby go ahead and cry If you were the puddle that's at my feet You would not so much obscure the street As make it less important Make it less important And if I could tell fortunes I would say that you will end up making your mama happy I would say that you will end up making your papa happy I would say this, and leave, Tail between my legs and disappear For yet another year Stare at buildings and Rust in puddles of my tears.
4.
Conscience 06:19
Somewhere in the middle of your forehead Is a little pain in the neck called the coward maker And somewhere in the middle of your chest No, maybe it's slightly to the left Is a thing that you're so afraid of And somewhere in the back of your mind Is another place and another time You wanna make up for It's all closing in, But you've got time To rise above It all——— (repeat) Middle section: Oh no, it's happened again, I've fallen again In love with you Oh no, it's happened again, I've fallen again In love with you Oh no, I'm back on my ass I have shown almost no class In regard to you (repeat verse loudly)
5.
This girl I know lives just outside of town An' this girl I know she turned my life around She stole away and took with her my soul Ain't it strange, I thought that belonged to rock n' roll. But rock n' roll is all I have on which to depend And at some times it's just about your only friend You catch me smiling in spite of trying times That's cause I know rock n' roll ain't ever gonna die Guitar! And I'm a blazin' down a brand new trail Leavin' town with a stormin' screamin' wail Direction and destination unknown I'm headed off where the wind's a-blowin' And I'm not stoppin', gonna ride off right into the west And I don't know when I'll bve back again Gonna catch up with the wind, claim back my soul Until then my only friend gonna be my rock n' roll This girl I know lives just outside of town ("know----") An' this girl I know she turned my life around ("yes----") She stole away and took with her my soul Ain't it strange, I thought that belonged to rock n' roll.
6.
In a frantic fit of ecstasy, you say "This town is too asleep for me," But you haven't got any notion of where to go She lives about a dozen miles from here, Where the winds enslave you and the nights are clear And there's a little less smog covering the snow. (half of chorus pattern, instrumentally) You dim your lights but passing cars do not On the radio is a song you forgot you knew You used to sing it when you were just a kid "Nah, nah, nah, na-na, na-nah..." But those days are gone for everyone Laughing hard is for the untamed ones Who are hide-and-seekers still missing since they ran and hid Come on, Betty, be nice Don't you run out of gas Gotta make just one more pass I'm gonna wanna do this forever As we dance on this swan lake road Try to think of how her voice sounds How she'd hold my hand But it's so long ago now that It seems like never A pleasant winter's night all by yourself Unless you count Betty, whose fuel guage fell From full to empty as you mader her pace on all those gravel roads It's four in the morning, damned if you can sleep You're wired on all of these memories And you haven't got any notion of where to go. Come on, Betty, be nice Don't you run out of gas 'cause if I try to think of How to laugh I think I can remember And as we pirouette on this swan lake road Try to think of how—her voice sounds How she'd hold my hand But it's so long ago now that It seems like never What have you got against having fun? Are you dying of post-21? Perhaps you could keep from growing old If you could find a soul-mate's hand to hold, and Laughing is easy for the untamed ones, but, You don't remember where you come from And you haven't got any notion of where to go.
7.
I would love to be living again I would love to be able to love I would rate you as my friend on a scale of one to ten As low as that sounds, It's what we did in elementary school You're low to the ground And everything is up, even for a fool And those were the times When you could spend the whole day with just one thought And friendship was blind And betrayals often and soon were forgotten And I'm speaking from limited experience And the patterns I see are the ones I make A past with no future makes the present tense I hurt myself hurdling your fence As false as that sounds These little games with words are one of my few joys Leap buildings in bounds But only in my mind, cause I'm still a boy Or am I senile? Did I forget how many times I've dropped the ball? Is that de nile? (Egyptian waters sound like they'd break a fall)
8.
Sorrow sings among the prima donna gusts and breezes And he transcends the seasons He's incapable of seeing But he catches your eye, Seems a much deeper guy than your friend Laughter,
9.
Heater Down 02:31
With heater down and hearts flying like flags We turn left off Maryland And stop in at a local café Where the nights are gay And passed away By soulless, dispassionate slobs in nicer clothes And they're wandering off in all directions Before our eyes, auto-hypnotized And they're telling themselves And everyone else they're not frightened (which we know they are...) Others too! More than a few half-poets and musician folk Trading jokes, adorning spokes with baseball cards Fumbling for the sugar jar, being not afraid, not aware Or else not caring Because for the moment they live for the moment. And if ever there was a need for a fight it is now A fight to breathe life into the souls of our past And if our struggle should meet up against those who resist We shall meet them with fists held up high... There it is, I've spoken—too much, too soon And it seems I've cleared another room
10.
You know it's a strange, strange thing that has got into me now (Yes it's a strange thing) Gonna visit Derry Kent, oh lord don't be crappin' on me now (yes it's a strange thing) My love is strong, my lady, don't you let a fret upon your brow (yes it's a good thing) Well, it's a good thing we saw it with Tom Waits in our step that night somehow... Humour is a stranger to regret And we my lady are not beaten yet
11.
Prairie Doll 03:43
Prairie doll of mine (whom no one should call theirs) You shrug off all our cares and we're trapped in your freedom. For it's your pretty eyes they'll see Not the running away They say that they'll remember you, But they'll do it their own way The girl they'll think of then Will be a Barbie Doll, And everyone will have one like it And that will be a joke They won't remember your feelings, no They'll remember beautiful breasts They'll remember shuddering breaths They'll remember the way you sang as they Held and stroked your pretty little head. Prairie doll of mine (whom no one should call theirs) I take mine with me anywhere, I'm trapped in its freedom. It's always hard when you meet up with friends You haven't seen for ages You're angry at their constancy Or you're angry at their changes The girl that ran away is still alive and well But she don't conform to that Barbie Doll figure. They don't remember your ups and downs They'll remember your ins and outs They'll remember your pretty mouth They'll remember the way you sang as they Held you to your pretty little bed Prairie doll of mine (whom no one should call theirs) I remember, if you care, what passes for freedom.... Freedom, Freedom... Sometimes I feel like I'm almost gone.
12.
Stand Up 03:57
Stand up next to me Lean your weight on me Put your faith in me when there's no light 'cause in darkness I am here When lightning strikes appear And thunder makes you fear the night I mean more than the weather, I mean storms, but not in nature I call it many things, it takes many forms But there's no love in nomenclature Ahhhhh----- You don't know what's within me When I sleep and I feel you breathe In my head are melodies, lullabies And in darkness I cannot steer But in your headlights I appear And in loss I will be near And in panic white I mean more than the radio I mean more than a drive at night I mean love as an open road And two cars that threaten to collide And the breaks beneath my feet Touch the floor and sing with heat And we paint black on the street and gently unite So stand up next to me And lean your weight on me And baby, always be at my side.
13.
14.
15.
Young and foolish Strong and innocent White teeth, no cavities Light, what's gravity? Sweet and caring Brave and daring No addictions Writing fiction Drawing pictures Dreamers, drifters Running, jumping Bike spokes thumping Friends forever Friends forever.
16.
This messy bedroom is the soundtrack to my head The barks on the shins From tripping over things Are echoes of the bruises I carry in my head In every interaction on this street I'm painting red The ashes stir in the wind of our activity There's clogs in the drains, But if we scrape the remains Off the piled-up dishes we can start anew One sink-full at a time is better than two. And I need a new score Something ordered and sound Something beautiful Which to rules is bound And Bach is not boring at all And if we just put in the time All these fumbling études are progress to the sublime The bills are piling up beneath the flyers and pamphlets Where they are free, unchallenged, to scream But if we take their cause and to pay them we strive Three bills at once is so much better than five.... And I need a new score Something ordered and sound Something beautiful Which to rules is bound And Bach is not boring at all And if we just put in the time All these fumbling études are progress to the sublime And I say this more than you And so I indict myself I scribble down the words And throw them on the shelf This messy bedroom is driving my parents insane They say "pick up your toys Like good girls and boys..."
17.
Don't look-oh Don't look-oh Don't look over your shoulder baby Behind you's A cat who's Come back to dig around your garden but If the cat If the cat If the catching your eyes occurs then He'll follow Follow Follow you home.... Why did you walk in the middle of the street to Call your sister on a cellphone that you found last night? And welcome, Tobacco To back over here where grass is greener, fuller You mako You mako You make older men and women shiver, quiver We used to have fun living in the city, She says she won't come back 'cause his heart feels dirty But it's too bad that his look makes her so sad She's in the country now trying to earn a dollar And I'm stuck
18.
19.

about

In 2002, my band Jubal split up. Wondering what I should do with myself music-wise I ended up seeing my friend David Quanbury play at the Barca Club in Winnipeg. There I ran into a former bandmate of Dave's, whom I only knew to say hi to. His name is Graham Playford.

He asked what I was up to musically and I said I had gathered a bunch of songs over recent years that had never been part of my band's repertoire.

He was getting into recording and had a basement studio, so we struck a deal to learn how to independently produce a good-quality album.

We recorded the tracks whenever we could get together—from December 2002 until May 2003. Then Graham moved to Montreal, and I went out there to mix the album with him in October of 2003.

The album was officially released May 15, 2004 and we had a party at the West End Cultural Centre in Winnipeg's West End, sponsored by CKUW 95.9 FM. What a night!

I was honoured to be able to work with so much talent, and many of them returned to the stage to join me in the CD release. It was a magical night for me that I will never forget.

A big help in the release's success was the fact that it had garnered many good reviews in the press. But the biggest help was from all the musicians, the talents of Mr. Playford, and so much help from my wife, Michelle.

This was an extremely exciting time for me, and I am grateful to everyone involved. Thank you all so much.

********************
The bonus tracks are more contemporaneous (at least in recording dates) to this album than my second, even though many would count as preliminary demos for "Washed Out Roads."

credits

released April 28, 2014

Produced by Patrick Keenan and Graham Playford

Recorded in Winnipeg, Manitoba, December 2002- June 2003, by Graham Playford

Mixed in Montreal, Quebec, October 2003 by Graham Playford, with Patrick Keenan

Mastered by Scott Pinder of Polyphonic Mastering Labs Winnipeg

Album Concept, Photography, and Design by Michelle Zieske

Special Thanks to my former manager and good friend Johnny Marlow!



Starring (in alphabetical order):

Tom Fodey
Dee Gillies
Steve Gillies
Aaron Goss
Jaxon Haldane
Sharon Ann Johnson
Jany Keenan
Michael Keenan
Patrick Keenan
Tom Keenan
Juanita Marie
Rukmali Mendis
Karen Niedzwiecki
Graham Playford
Jeff Powell
David Quanbury
Chris Saywell
Joan Stephens
Matthew Tapscott
Jeff Tetrault
Billy Western
Michelle Zieske

As well, there are rare early bonus tracks that feature my best collaborations with my good friends who would join me later on my second album:

Darryl Shave: Guitar, co-writing, co-arranging, co-mixing. Vocals for tracks 13 and 16.
Doug Darling: Bass Guitar

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Patrick Keenan Whitehorse, Yukon

Patrick Keenan is "a pianoman of a different sort," weaving complex, yet memorable melodies into the balance of light and dark that's in his lyrics as much as on his keyboard. After a life-changing period off from performance, the Winnipeg ex-pat's back with a vengeance—scoring films, writing a hundred songs in the past few years, and developing his recording studio in Whitehorse in the Yukon. ... more

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